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The fingering I have added is that which I feel to be useful to a broad range of guitarists, leaving out only very natural or not particularly important usage for the left hand and providing at least some indication of that for the right hand. Even if one makes the considerable effort required to work it out, the result is likely to be a very messy copy of one’s music. The best fingering is not always obvious in these pieces. The material, while not particularly difficult, does range all over the guitar fingerboard in such a way as to make it very challenging to play on sight. The reason that I did so, however, is that the Eschig editions, which probably came more or less directly from the hand of Villa-Lobos himself, contain almost no fingering indications. By virtue of their being copyrighted and also easily available from the publishers there seems little point in creating a new edition such as this. The Guitar Studies of Heitor Villa-Lobos These twelve studies are copied from Editions Max Eschig M.E. In this study, I will analyze differences in the versions and use informed sources to shed light on the true intentions of Heitor Villa-Lobos as a means to enhance an understanding of this remarkable set of studies.Heitor Villa-Lobos ~ Doze Estudos para Violão This version is exceptionally different than the current Eschig edition. Recently, however, a manuscript in Villa-Lobos’s hand was unearthed which dated back to 1928. The first edition of this piece was published by Éditions Max Eschig of Paris in 1953 and was revised into a second edition in 1990 that rectified misprints. The Twelve Études for Guitar is one of the most frequently-performed works for the classical guitar and is innovative in examining extended techniques and the lushness of sounds that can be emmanated from the instrument. Heitor Villa-Lobos (1887-1959) is a notable figure in classical music as being one of few mainstream classical composers who has been a capable guitarist. Abstract This study aims to compare the differences between the Max Eschig 1990 edition of Heitor Villa-Lobos’s Twelve Études for Guitar and the recently-discovered 1928 manuscript of this piece by Villa-Lobos.
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